Closing out this Chapter

Simply put, I need more time out in the field taking pictures so I’ll be ending this blog as of December 21, 2018. You can still catch me online at my Twitter site or at my Lomography site.

Thank you for honoring me with your follows, reviews, likes, and comments and please feel free to visit over at my Twitter site or at my Lomography site.

 

Boring Vacation Pictures?

I can’t tell you how many times I’ve bored myself before, during, and after a vacation or excursion. The destination was fine, but I wasn’t enthused with the resulting photographs. But I’m a seasoned photographer, what gives?

I used to be guilty of taking too many digital images of the same subject from the same point of view. With the explosion of smartphone photography, this approach has become aesthetically numbing. No matter the camera type, any of our photographs could technically qualify to grace the pages of National Geographic. But what would make our pictures of, for example, the pyramids or the Effiel Tower, stand out from the usual fare?

I’ll tell you what I do. What you don’t see in this picture of the pyramids is the line of bus traffic I waited to pass by. The camels entering the view made it appear like a scene from 1910 and not 2010.

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Speaking of camels, I ditched the standard animal shots to wait for them to cause a “traffic jam.”

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How many times have we seen open-air markets in foreign lands? Too many. I waited till nightfall and photographed the person who cleans up in Old City Jerusalem’s street market.

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Forget about staged or group portraits, it was more interesting photographing these Bedouin guides during a night expedition.

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Here’s a quickly assembled color series from a trip to Hawaii.

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Here are my tips to create a compelling narrative while developing a critical photographic eye before, during, and after a vacation.

1. Google your destination. See what has been photographed before and what possible perspectives may be available for you to shoot from. Then again, it may be preferable to not look at anything until you arrive there with fresh eyes.

2. Become familiar with and shoot with one focal length. Too many changes between wide angle and telephoto views can be confusing to you as well as your audience.

3. Ruthlessly edit down the number of images. Get rid of duplicates.

4. Ruthlessly select the best images from your destination. A single image may represent a single experience or a single stop.

5. Regard your selections as special, as if they were in a show. As a matter of fact, make prints instead of putting your photographs on a video screen. 10 to 20 compelling images will be more interesting than 200-300…trust me.

In my next post, using the above method to edit images from a recent trip to San Diego and Carlsbad, California. I took about 300 digital and film images, but I’m not going to bore you with everything. 😃

If I Do Color, I’m Doing Snapseed

Only two of the 88 frames I took at the Berkeley Marina were presentable. That’s much better than the “Zero” out of 150 taken weeks prior. But that’s not what drove me crazy. I wasted time attempting to edit these two on the computer…I remember why I became a minimalist photographer. I wasn’t going to accept the super sharp, plastic rendering.
 
As I was about to throw the whole project away, I decided to play with Snapseed, the Google photo app on my phone. One click and it was over! It gave me the grainy look of Kodak Portra 400, my preferred color film. No more color editing on the laptop. Snapseed on an iPhone or iPad or forget it.

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